MY HUSBAND HAS BEEN COLLECTING OLD TIME RADIO SHOWS FOR A LONG TIME NOW. HE LISTENS TO THEM WHILE HE IS WORKING IN THE DARKROOM.
WE THOUGHT WE WOULD SHARE THEM WITH OTHERS SO THEY COULD ENJOY THEM ALSO.
A big band remote (aka dance band remote) was a remote broadcast, popular on radio during the 1930s and 1940s, involving a coast-to-coast live transmission of a big band.
As early as 1923, listeners could tune in The Waldorf-Astoria Orchestra. The Oriole Orchestra (Dan Russo and Ted Fio Rito) was performing at Chicago's Edgewater Beach Hotel when they did their first radio remote broadcast on March 29, 1924, and two years later, they opened the famous Aragon Ballroom in July 1926, doing radio remotes nationally from both the Aragon and the Trianon ballrooms. In 1929, after Rudy Vallée's Orchestra vacated Manhattan's Heigh-Ho Club to do a movie in Hollywood, Will Osborne's dance band found fame with a nationwide audience due to radio remotes from the Heigh-Ho. By 1930, Ben Bernie was heard in weekly remotes from Manhattan's Roosevelt Hotel. On November 24, 1937, Glenn Miller did a remote on NBC from Boston's Raymor Ballroom on Huntington Avenue (one block from Symphony Hall).
Broadcasts were usually transmitted by the major radio networks directly from hotels, ballrooms, restaurants and clubs. During World War II, the remote locations expanded to include military bases and defense plants. Band remotes mostly originated in major cities, including Boston, Los Angeles, New York, Philadelphia, San Francisco and Chicago. The Chicago broadcasts featured bands headed by Count Basie, Frankie Carle, Duke Ellington, Jan Garber, Jerry Gray, Woody Herman, Earl Hines, Eddy Howard (from the Aragon Ballroom), Dick Jurgens, Kay Kyser (from the Blackhawk Restaurant), Coon-Sanders Original Nighthawk Orchestra (from the Blackhawk), Ted Weems, Shep Fields (from the Palmer House) and Griff Williams.
The usual procedure involved the network sending a two-man team, announcer and engineer, with remote radio equipment to a designated location. The announcer would open with music behind an introduction:
Coming to you from Frank Dailey's Meadowbrook on Route 23, just off the Pompton Turnpike in Cedar Grove, New Jersey, we present the music of Charlie Barnet and His Orchestra.
For your dancing pleasure, Columbia brings you the music of Count Basie and his orchestra, coming to you from the Famous Door on Fifty-Second Street in New York City.
Artie Shaw's many remote broadcasts included the Rose Room of Boston's Ritz Carlton Hotel. The Blue Room of New York's Hotel Lincoln was the location of his only regular radio series as headliner. Sponsored by Old Gold cigarettes, Shaw broadcast on CBS from November 20, 1938 until November 14, 1939. Before he launched Sun Records, Sam Phillips ran regular big band remotes with the Chuck Foster orchestra and others from the Peabody Hotel Skyway Ballroom in Memphis, Tennessee. The tradition continued into the 1950s with jazz club remotes on NBC's Monitor by Al Hibbler and othe
THERE ARE 88 Episodes ON 1 DVD AND THEY ARE IN MP3 FORMAT. THEY WILL PLAY ON ANY COMPUTER AND SOME CD PLAYERS THAT ARE MARKED PLAYS MP3s. YOU CAN EASILY BURN THEM TO A CD SO YOU CAN PLAY ON YOUR CAR SYSTEM. I HAVE THEM ON MY ZUNE AND ONE OF MY FRIENDS HAS THEM ON HIS I-POD. REMEMBER THEY ARE IN MP3 FORMAT AND WILL NOT PLAY ON MOST CD PLAYERS.
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