READ THIS FIRST: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!

Laserdisc Title: "THE BROTHERS McMULLEN"
Edition: Widescreen Edition (Single Disc)
Special Features: ---Includes Audio Commentary by the Director---
Directed By: Edward Burns
Starring: Jack Mulcahy, Muke McGlone, Edward Burns, Connie Britton
Award: Winner - Best Picture 1995 Sundance Film Festival
Production / Year: 1995 Brothers McMullen Productions Inc
Running Time: 98 Minutes / Color
Audio Format: Digital Sound, Monaural
Video Format: LTBX 1.85:1, NTSC, CLV (Extended Play)
Miscellaneous Features: Rated R
Distributed By: Twentieth Century Fox
Catalog / Spine Number: 0893485
Cosmetic Condition:
Disc (s): UNOPENED / FACTORY SEALED
Jacket: UNOPENED / FACTORY SEALED - However, there seems to be signs of splits on bottom spine

Synopsis:
Three Irish Catholic brothers find themselves sharing the same roof due to a myriad of circumstances. The oldest is happily married to a woman he dearly loves, but he's tempted to cheat. The youngest one is a devout Catholic dating a Jewish girl and getting a serious case of guilt. And the middle one is the most cynical about love, even after he falls in love. The Brothers McMullen works, man. That's not to say it's the greatest film ever made, but for a $24,000 film made by unpaid actors, many of whom had never stepped in front of a camera before, the film is surprisingly refreshing. Essentially, the film is a morality play. Each of the brothers is trying to figure out how to do the right thing in their own fractured ways, and that makes them real. The acting is sometimes sub-par, and sometimes stellar. Ed Burns, who also wrote and directed, stands out, but that would only make sense. The true salvation is the script. It slowly picks up steam, scoring some witty points here and there, and finally has you buying the payoffs at the end. It's slow going in the beginning, but it works. Anybody could nit-pick The Brothers McMullen apart. But this film was made guerrilla style, on a non-existent budget... and it shines. No wonder it won Best Film at Sundance.

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