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Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE

Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE

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  • Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE
  • Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE
  • Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE
  • Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE
  • Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE
  • Phil Austin - Roller Maidens From Outer Space 1974 EPIC Sealed C/O T21 8-TRACK TAPE
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  • Description
Roller Maidens From Outer Space is a 1974 comedy album by Phil Austin, one of the members of the comedy group Firesign Theatre. Although the record is considered to be Austin's "solo" album, the other three Firesigns make vocal contributions throughout, and are thanked by Austin in the liner notes. A complex lampoon on television and society, Austin's record is much in the same vein as the Firesign Theatre's Don't Crush That Dwarf, Hand Me the Pliers and fellow Firesign members Phil Proctor and Peter Bergman's TV or Not TV. The television theme is carried over into the record sleeve, which features liner information displayed as if it were a TV Guide listing, complete with stylized channel numbers and little blurbs of content.

Philip Baine Austin (April 6, 1941 – June 18, 2015) was an American comedian and writer, best known as a member of the Firesign Theatre.

Austin was born in Denver, Colorado, and later grew up in Fresno, California, attending Fresno High School. His mother was a drama teacher which influenced his upbringing as an actor. He attended Bowdoin College in Brunswick, Maine, because it was nearly the most distant point in the continental United States from Fresno. He also attended Fresno State College and UCLA, but did not graduate from any of them. He was in the UCLA Drama Department at the same time as another dropout, Ray Manzarek of The Doors.

Career
Radio
In Los Angeles in the late 1960s, he was one of the first apprentices for the Center Theatre Group and worked on the staff of KPFK radio in Los Angeles. At KPFK he worked with other staffers David Ossman and Peter Bergman who hosted Radio Free Oz on that station. Along with Bergman's friend Phil Proctor, they formed The Firesign Theatre.

Starting as live radio actors, the group would go on to record a series of surrealistic comedy albums that were a hit amongst an underground audience. Austin played the group's best-known creation, private investigator Nick Danger. Other prominent roles were as (Happy) Harry Cox, the narrator of Everything You Know Is Wrong and Bebop Loco/Lobo on Give Me Immortality or Give Me Death. He had also served as the troupe's musician and record producer.

"It was those comments, the off-mic things, that made Phil so funny. He was the most surreal writer of all of us."

— David Ossman[
Short story writer
His collection of short stories, Tales of the Old Detective and Other Big Fat Lies, is published by Audio Editions. Two of his stories appear in the third volume of Mirth of a Nation.

Record albums
Austin also wrote a solo work, Roller Maidens From Outer Space, and directed (and acted in) Eat Or Be Eaten.

Stage versions of Don't Crush That Dwarf, Hand Me the Pliers; The Further Adventures of Nick Danger, Third Eye; Waiting for the Electrician or Someone Like Him; and Temporarily Humboldt County are published by Broadway Play Publishing Inc.

Death
Austin died at his home in Fox Island, Washington, on June 18, 2015, at the age of 74. The cause of death was originally given as cardiac arrest, but this was later changed to an aneurysm. When he died, his wife Oona mentioned that Austin also had been diagnosed with cancer months before.

Retrieved from
https://en.wikipedia.org/wiki/Phil_Austin
T21

Please note: Please view all images carefully prior to purchasing, for these tapes are old and may have tears and other imperfections.

Because this tape is sealed new and we cannot inspect for playability, we offer no warranty or guarantees on how well this tape will perform once it is opened and removed from the cellophane package. Because this sealed new 8-track tape is very old, the foam pad and glue on the foil splice most often has a tendency to deteriorate over many years of time. Always inspect and replace, if necessary, those items before playing any sealed new 8-track tape, or damage to the tape and player may occur.

If you would like this new sealed tape gently opened and inspected for playability with a new pad and foil splice added, please go to "New 8-track tape repair" in the New 8-track tape category and we will gladly perform the work for you. Be sure to select the number of repairs needed for the number of sealed tapes you are purchasing.
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