FU-KUPZ STAINS DICKS Texas'82 PUNK Poster KBD ASD

Ritz Theatre HandbillCategory / Style / Moods: Rock * American Underground * Alternative Pop/ Rock * Paisley Underground * Jangle Pop * College Rock # Ironic # Acerbic # Intense # Literate # Cerebral # Angst-Ridden # Cathartic # Cynical/ Sarcastic # Hypnotic # Tense/Anxious10 / A IN: / RN: 28901982 8.5" X 14" HANDBILLFORMAT: LETTER STOCKFu-kupz Dicks StainsVENUE: Ritz TheatreLOCATION: AUSTIN, TEXASCONDITION:Good 6of 10 or better(Some Handlingand Corner Tears)ROCK AGAINST REAGAN AUTHENTIC ORIGINAL ONLYClick the pix to get a better look Biography by Denise Sullivan Dream Syndicate are at the foundation (alongside the Velvet Underground, the Stooges and R.E.M.) of contemporary alternative music sheerly because at the time when most bands were experimenting with new technology, the Syndicate deigned to bring back the guitar. Fronted by Steve Wynn (b. Feb. 21, 1960) and including Karl Precoda (guitar), Dennis Duck (drums) and Kendra Smith (bass), the band formed in Los Angeles after Smith and Wynn had relocated there from Davis, CA. They debuted with a self-titled, unbelievably Velvet Underground-like EP on Wynn's own Down There label. It was shortly off to Ruby/Slash for Days of Wine and Roses, the most lauded record on the college charts that year. The record has been cited as influential from artists as diverse as Kurt Cobain to the Black Crowes' Chris Robinson. Live, they had developed into an assaultive guitar band prone to jamming which helped earn them the tag as leaders of L.A.'s Paisley Underground movement. 1984's Medicine Show was met with mixed response by the college crowd. By this time, Smith had left the band and was replaced by Dave Provost on bass and Tom Zvoncheck on keyboards. Wynn took his cues from Neil Young and Crazy Horse on the record rather than Lou Reed (who was considered a preferable source at the time), and the rootsier sound caused a backlash with the fan base. In 1986, a new lineup and a flailing morale, as the band label-hopped, spawned Out of the Grey (Big Time) and the Elliot Mazer-produced Ghost Stories (Enigma) in 1988. The band had realigned to include Mark Walton on bass and Paul B. Cutler on guitar. They recorded Live at Raji's in 1989 as their swan song. Wynn has since recorded four solo albums, two with Gutterball (featuring the House of Freaks and Silo Bob Rupe) and is continuously collaborating with other musicians. His 1996 solo record had him backed by the Boston band Come. Smith went on to work in Opal with David Roback, a prototype version of his Mazzy Star, and has since recorded two solo albums. After a long hiatus from music, Karl Precoda re-appeared in 1997 fronting The Last Days of May, a neo-psychedelic instrumental trio. Duck continues to work with Wynn as a touring drummer, bassist Mark Walton plays with the Continental Drifters. A documentary of the band's last tour, Weathered and Torn is available on video.This item is from a massive collection assembled by an obsessed punk art collector straight off the street and clubs during the heyday of the Texas punk scene and is guaranteed authentic as originally issued, printed prior to, and in conjunction with the promotion of the event. Considering the limited runs and exposure to the elements, you may very well be looking at the only surviving example of this piece. This is an original single sheet printed paper poster advertisement (A.K.A. handbill, flyer or print) for a concert performance gig by professional musicians at a music venue. Obscure slices of Americana, these regional street art posters were often issued in limited runs of less than 100. This collection includes many unique pieces of music style outsider art, many individually hand-inked by the DIY artist. Does "rare" describe one of a kind? A Sound Deal does not sell poster re-prints, scans or duplications of any kind, so please don't ask. Sign up for the newsletter for red hot sales bulletins and sneak previews of upcoming products. Combine items save $$$!!!©A Sound Deal